Miami, FL (March 27, 2026) – After a process of introspection that lasted a couple of years, León Larregui presents his new album, ‘Manifiesto de un Tremendo Delirio,’ a reflection on loss, the many forms of love, and the way art continues to be the greatest revolution. This release is led by the single “Amén.”

Breakups are often complex processes, as they force us to reconsider our deepest beliefs and confront our inner selves to heal what we’ve neglected, putting us face-to-face with our shadows and our light. It is in this context that ‘Manifiesto de un Tremendo Delirio’ was born, presenting one of the most vulnerable sides of the singer across 13 tracks.

“This record is a bit melancholic and reflects a moment in my life. I spent two years making it, and it describes how I lived through those years, somewhat difficult, but it was my way of processing everything I was experiencing,” León Larregui said about the new album.

These emotions are already evident in singles like “Cometas,” “Bruma,” and the recent hit “Se me va,” which stands out for its ability to blend the melancholy of bolero with the sonic sophistication that has defined León Larregui’s career.

Adding to these compositions is “Amén,” the track chosen to lead the album’s release. Its sound resonates with the epic brightness of hope and is backed by instrumentation rooted in psychedelic Rock-Pop. In it, the singer explores the healing power of art, which can serve as a vehicle to change both the world and our inner selves.

This mission runs through all 13 tracks of ‘Manifiesto de un Tremendo Delirio,’ taking listeners on a journey through nostalgia, desire, and a kind of luminous melancholy, armed only with a suitcase, an essential narrative element for understanding the album, as it carries the memories, emotions, and reflections of vulnerability.

Following its release, ‘Manifiesto de un Tremendo Delirio’ stood out in Apple Music’s “New Releases” section and reached number one in the platform’s “New Albums.” Meanwhile, “Amén” appeared on featured playlists such as YouTube Music’s “El Aparato,” Amazon Music’s “Corriente Alterna,” and Spotify’s “Top México,” in addition to being highlighted in Apple Music’s “New Songs.”

Accompanied by top-level musicians like Vincent Polycarpe (drums), Victor Mechanik (guitars, synthesizers), and Fabrice Colombani (percussions), as well as a dream production team, including Remi Peral, Jack Lahana, Rob Coudert, and Adán Jodorowsky, who also recorded the bass, León Larregui delivers his most significant work to date, showing us that even in the cracks of the heart, light can slip through to illuminate everything.

Check out the official lyric video for “Amén” below!

Miami, FL (March 7, 2026) — On Friday night, the Auditorio Nacional set the stage for the launch of ‘El Ayer,’ Matisse’s new tour, through which the trio, Melissa Robles, Pablo Preciado, and Román Torres, reinforces their position as one of the most relevant pop groups in Mexico.

With an unprecedented stage design that captured the essence of this new era, ‘El Ayer’ kicked off with “Imposible amor,” one of their most beloved collaborations to date. Amid the euphoria of a completely packed venue, Matisse also performed “Vete, vete” and “Primer avión.”

The atmosphere at the Coloso de Reforma filled with romance, and even tears, when the group performed “Pedazos” and “Todavía,” songs that led into an intense block of ballads powered by the piano. During this moment, “Por tu bien,” “A olvidarte,” and “Por última vez” echoed throughout every corner of the venue.

This tour arrives at the Auditorio Nacional led by their self-titled album, released on February 26, which debuted under the leadership of the single “Hipotéticamente” alongside Leonel García. The song was performed live for the first time during this special night.

As part of the album and its celebration, Matisse also performed “Conmigo sin ti,” a song with Cristian Castro that quickly went viral on social media and has become one of the standout favorites from the record. The single was followed by “Aplauso,” which is also part of ‘El Ayer.’